Wednesday, September 22, 2010
Monday, September 13, 2010
Wednesday, September 8, 2010
Thursday, August 26, 2010
Friday, August 20, 2010
Thursday, August 19, 2010
Wednesday, August 18, 2010
Monday, August 16, 2010
Sunday, August 15, 2010
Saturday, August 14, 2010
Tuesday, August 10, 2010
To say that I haven't been writing wouldn't be the truth, because I have been. Just not blogging.
The truth is, I have been in a metaphorical cave, investigating the dark, and silence. This is initially not a pleasant place to be, when you first get here; but after some time the dark isn't so bad anymore.
Words can be a terrible compulsion to live with; the worst kind of addiction. In caves, you don't have to narrativize anything, particularly your own experiences. You don't have to investigate various characters and their motivations. You don't feel compelled to draw out the map of your life, and everyone elses, in order to construct a whole. You can nap in caves, become a part of some sort of organic whole. In the English Patient, Katharine Clifton died in a cave. And if you haven't read that book, you really should because it's far better than the movie. I think about Katharine Clifton a lot. Also about death. Sometimes when I am in my cave, I fear that I will die there, that I will be engulfed in silence. But after a while, even this isn't so bad, the idea of being forgotten in a cave. Even hyper-awareness of your own mortality can become exhausting.
I grew up reading an absurd amount of new age-y self-help books. I did this as a child, which I now understand was somewhat precocious, but not necessarily in a good way. I was interested in dreams and analyzing them, in Buddhism, in mediation, in the middle way, in cause and effect, in excavating layer after layer to find some sort of truth. These ideologies still frame my way of thinking, of narrativizing. But sometimes I wish I was free of even all of this, unfettered, unimprinted, unmarked.
This alchemy of personality with environment - I understand that there is something perfect and whole about it. It is a process that unfolds and continues, ad infinitum. So I don't have anything new to say. I am still (unfortunately) the same person I always was. Maybe this isn't so bad. And ultimately, it doesn't really matter.
The truth is, I have been in a metaphorical cave, investigating the dark, and silence. This is initially not a pleasant place to be, when you first get here; but after some time the dark isn't so bad anymore.
Words can be a terrible compulsion to live with; the worst kind of addiction. In caves, you don't have to narrativize anything, particularly your own experiences. You don't have to investigate various characters and their motivations. You don't feel compelled to draw out the map of your life, and everyone elses, in order to construct a whole. You can nap in caves, become a part of some sort of organic whole. In the English Patient, Katharine Clifton died in a cave. And if you haven't read that book, you really should because it's far better than the movie. I think about Katharine Clifton a lot. Also about death. Sometimes when I am in my cave, I fear that I will die there, that I will be engulfed in silence. But after a while, even this isn't so bad, the idea of being forgotten in a cave. Even hyper-awareness of your own mortality can become exhausting.
I grew up reading an absurd amount of new age-y self-help books. I did this as a child, which I now understand was somewhat precocious, but not necessarily in a good way. I was interested in dreams and analyzing them, in Buddhism, in mediation, in the middle way, in cause and effect, in excavating layer after layer to find some sort of truth. These ideologies still frame my way of thinking, of narrativizing. But sometimes I wish I was free of even all of this, unfettered, unimprinted, unmarked.
This alchemy of personality with environment - I understand that there is something perfect and whole about it. It is a process that unfolds and continues, ad infinitum. So I don't have anything new to say. I am still (unfortunately) the same person I always was. Maybe this isn't so bad. And ultimately, it doesn't really matter.
Monday, August 9, 2010
Friday, July 30, 2010
Now I am quietly waiting for
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.
The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.
It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.
-Frank O'Hara
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.
The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.
It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.
-Frank O'Hara
Thursday, July 22, 2010
Wednesday, July 21, 2010
Sunday, July 18, 2010
I've always liked movies about imagined realities, particularly collectively imagined. You know, in the vein of Matrix or Thirteenth Floor or Dark City. Between the Inception viewing, the Radiolab episode about perceptions of time and various weird events that that keep occurring the past few weeks, I feel like I'm on the brink of formulating some sort of idea about something. But I'm not there yet. It is a consolation that it took Christopher Nolan nearly ten years to work out the screenplay for Inception. I am envious of those people who have razor-sharp reasoning or analytical abilities. It is highly inconvenient having a mind that sometimes feels like mush.
Saturday, July 17, 2010
post-inception question
why does the dark metropolis exist as an iconographic landscape of everyone's (sometimes) dream-subconscious?
Is this a collective memory of an unnameable past?
What is the crumbling urban landscape an archetype for?
Does it represent the limits of our perceived notions of time and space? The end of the x and y axis of our collective mind?
Is our greatest fear a landscape (both geographic and psychic) that is wholly created and destroyed by man? Therefore, I suppose, by ourselves?
Why is it so sinister?
Is this a collective memory of an unnameable past?
What is the crumbling urban landscape an archetype for?
Does it represent the limits of our perceived notions of time and space? The end of the x and y axis of our collective mind?
Is our greatest fear a landscape (both geographic and psychic) that is wholly created and destroyed by man? Therefore, I suppose, by ourselves?
Why is it so sinister?
Friday, July 16, 2010
Wednesday, July 14, 2010
Monday, July 12, 2010
Friday, July 9, 2010
Wednesday, July 7, 2010
-via M
"Of course it was impossible to connect the dots looking forward when I was in college, but it was very, very clear looking backwards ten years later.
You can’t connect the dots looking forward. You can only connect them looking backwards, so you have to trust that the dots will somehow connect in your future. You have to trust in something - your gut, destiny, life, karma, whatever.
Because believing that the dots will connect down the road will give you the confidence to follow your heart even when it leads you off the well-worn path and that will make all the difference."
-Steve Jobs
it was kind of like this
Thursday, July 1, 2010
Separation
Your absence has gone through me
Like thread through a needle.
Everything I do is stitched with its color.
-W.S. Merwin
Like thread through a needle.
Everything I do is stitched with its color.
-W.S. Merwin
What happens when you realize that all your subconscious notions of relationships and love through most of your twenties were predicated on a misread of approximately 200 viewings of this movie when you were five?
I'm not talking about myself. Just other people I know.
Also, these subtitles are somewhat problematic. My favorite one is "With your vision, this is the complaint. Even flowers create a distance!"
What does that mean? It's like in code or something.
No wonder I misunderstood this movie.
Wednesday, June 30, 2010
Say not, "I have found the truth," but rather, "I have found a truth." Say not, "I have found the path of the soul." Say rather, "I have met the soul walking upon my path." For the soul walks upon all paths. The soul walks not upon a line, neither does it grow like a reed. The soul unfolds itself, like a lotus of countless petals.
~Kahlil Gibran, The Prophet, 1923
~Kahlil Gibran, The Prophet, 1923
Tuesday, June 29, 2010
Sunday, June 27, 2010
Lost Half
On Echo Park Boulevard, outside an art gallery, I lost an earring. This was years ago, and that's the thing about jewelry; sometimes it just disappears. There's something about earrings though, or an earring. A mitten, a sock. Losing one half of a pair feels like the worst thing. And even now, years later, when I walk by that gallery, I still look for the glint of my lost earring, in the cracks of the sidewalk around the shrubs, by the doorway, in the planters; this restless hope that all lost things can somehow, at some point, be re-found, reunited, complete.
Pervy Optmetrist
My optometrist's name is Ira. He dresses like he works at Sterling Cooper. He's 70. He doesn't understand why anyone actually pays to eat lunch out when you can just bring a sandwich from home.
The first time I went to see him, while checking my eyes, he informed me that his 98-year old father has the same eyeglass prescription as me.
"But it took him a long time to get up there," he said, as though I had just won the blindness Olympics. Then he made me read another chart.
"No, sorry, your eyesight is actually worse than his," he nodded.
"In my day, a girl with eyesight like that - blind as a bat, you'd have trouble finding someone to marry you. But times have changed. We now value girls based on their intelligence. And we have contact lenses. But, pretty girl like you, I think you'll find someone to marry you." He looked skeptical for a minute. We both looked at each other in silence. I think he was waiting to see if I would react in some way. I think I was waiting to see if I would react in some way. Then I started laughing, kind of more in shock than anything. And then he started laughing too, except I think he was laughing out of discomfort because he didn't get what was funny.
"I'll have to special order your contacts," he informed me. "We don't usually keep prescriptions that high in the store," he shrugged.
Outside on the sidewalk, I stopped to think about that exchange. My optometrist called me blind as a bat! Amongst other things.
The first time I went to see him, while checking my eyes, he informed me that his 98-year old father has the same eyeglass prescription as me.
"But it took him a long time to get up there," he said, as though I had just won the blindness Olympics. Then he made me read another chart.
"No, sorry, your eyesight is actually worse than his," he nodded.
"In my day, a girl with eyesight like that - blind as a bat, you'd have trouble finding someone to marry you. But times have changed. We now value girls based on their intelligence. And we have contact lenses. But, pretty girl like you, I think you'll find someone to marry you." He looked skeptical for a minute. We both looked at each other in silence. I think he was waiting to see if I would react in some way. I think I was waiting to see if I would react in some way. Then I started laughing, kind of more in shock than anything. And then he started laughing too, except I think he was laughing out of discomfort because he didn't get what was funny.
"I'll have to special order your contacts," he informed me. "We don't usually keep prescriptions that high in the store," he shrugged.
Outside on the sidewalk, I stopped to think about that exchange. My optometrist called me blind as a bat! Amongst other things.
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